Cold Hand in Mine Page 6
"This is my hour of trial," said Rosa. "It is like nothing that has gone before." She realized that she was disregarding her strong resolve not to soliloquize out loud before she positively could not help herself. Perhaps, she thought, but did not say, this is where I cannot help myself. She closed her eyes, to shut out the big, frightening bats. She crossed her arms over her bosom, placing a hand upon each opposite shoulder. She started to breathe very deeply and regularly: formally terminating the period of short gasps and panting that had attended her scrambling rush for home, and the self-pummelings and retchings that had necessarily followed. Soon she found that her crossed arms weighed upon her lungs, so that, while mysteriously glad that she had passed through that position, she fell away, letting her hands fade in her lap.
There were clocks, one of which struck the hours and the half-hours; there was a cricket, which, so late in the year, activated itself for astonishingly long periods; there were the two lamps, in which the oil burned evenly away.
"This is amounting to a wake," said Rosa to herself, as the clock suddenly struck ten. "Not to mention a fast."
Her limbs had become a little stiff, but she was surprised that things were not far worse. She had felt herself to be slightly exalted ever since her conversation on the cliffs, and this unreasonable restlessness seemed to confirm it.
AH the same, she moved to a more comfortable chair. "Why ever not?" she enquired vaguely, and once more aloud. She noticed that the rain had stopped. Perhaps it had stopped hours ago.
The room seemed peculiarly warm. "Perhaps delusions are setting in." Rosa had read about explorers marooned on icefloes who dreamed of the Savoy Grill. Ted had once worked as a waiter in a place like that, as she was unlikely to forget — though, as a waiter, Ted was understood to be rather good. Rosa cast off her dressing gown.
The clock struck half past ten, eleven, and half past eleven. Rosa was now half-asleep for much of the time. She had abandoned all idea of special preparation for what lay ahead. She lay empty and resigned.
Some time after that, the flame in both lamps began to flicker and waver. Rosa had filled the lamps herself and knew well that they held enough oil to last through two nights and more. But she rose to her feet very conventionally, in order to make an inspection. Immediately, the two lamps went out. The flame in both seemed to vanish at exactly the same moment, as if by pre-arrangement.
Rosa realized that, in the dark, her brow was covered with moisture. She was uncertain whether this was fear, or a medical consequence of her previous soaking, or simply the temperature of the room. Certainly the room was quite unaccountably hot.
Then Rosa became aware that behind the patterned curtains she had drawn across the two windows before throwing off her clothes, was now a gleam that seemed more than the contrast between the blackness of the room and the perhaps slightly more luminous night outside. Moreover, it was as if the gleam were moving. The faint light was strengthening, as, presumably, it moved towards her.
So far she had heard nothing but the ticking of the clock; and now she ceased to hear even that. She had not noted the clock's last tick. She simply realized that it was ticking no longer.
"Oh God," said Rosa, "please protect me." She had not chosen either the words or the voice. She had, in fact, no idea where they had come from. She sank, not upon her knees, but in a heap on the floor, burying her face between her legs, and holding her hands over her ears. She seemed to squat, in desperate discomfort, for an appreciable time. In an earlier year, she had known something like that hopeless, inhuman posture when she had been so badly seasick — and on more than one occasion — in the Baltic.
Then there was a faint fluttering knock, not necessarily at the outer door. Rosa could not tell where it came from. It might have been made by a small creature which had been entrapped in the room with her.
It seemed worse not to know than to know. Rosa unwound herself. She looked and listened.
There was still not much to hear, but the light had grown strong enough for the shapes she had hung from strings to be dimly and strangely visible. Another new development was, however, that these distorted forms seemed no longer to be entirely within the room, but to continue outside it, as if she could see faintly through the wall. The weak light, moreover, was wanly pink and wanly blue, in a way that not even the pattern of the curtains could entirely account for.
Punching at the wet objects that touched her face and head, Rosa ran for the outer door. Though it too seemed to have become faintly transparent, it opened quite normally. Rosa was in flight, and in flight that was unorganized and demented. No longer was she capable of resignation or acquiescence, let alone of meeting events with anything more positive. But at the doorway, she managed to stop herself. She stood there for a moment, gasping and staring.
She had half expected that the light would be very bright. After all, there had been evidence that it might be.
In fact, however, it was quite faint; only half as bright again, perhaps, as it had been inside the room. Remote might have been the word for the quality of it; even though the source, or seeming source, was almost under Rosa's nose; le vrai chemin de l'église not being at all wide. The light came from candles, but, mysteriously, it still manifested that wan pinkness and pale blueness that Rosa had already discerned. "Inexplicable," said Rosa softly, "inexplicable."
It was hard even to guess how many of these candles there were, each giving barely more than the light of a tiny taper, though visibly far sturdier than that. The candles were in the hands of men; and inside the irregular ring the men made, were other men, without candles: the bearers (Rosa rejected the word "porters"), now in process of being changed. And at the centre of all was that which was being borne: of itself, apparently, not without luminosity.
After Rosa had opened the door, very far from quietly, owing to the clumsiness of her fear, the men on that side of the ring, whether the light-bearers or the burden-bearers, had slowly and gravely moved aside, so that a wide way lay open before her.
Already she was part of it all, and had no refuge. She went delicately and timidly out, stepping like a girl.
And what she saw lying before her, though gilded and decked and perfumed and beflowered as any saint, was the twin, the image, the double of herself. Not even of herself when a girl or of herself when a hag, but, she had no doubt about it, of herself as she was now. On the instant she sank to her knees beside the litter and diffidently touched the hand that lay there, which at once responded with a gentle clasp.
"Who am I?" whispered Rosa. "And who are you?"
"I am your soul," replied a remote voice she did not know.
"But," cried Rosa, "where then are you going?"
"To the church. Where else should a soul go?"
"Shall I see you no more?"
"One day."
"When will that be?"
"I do not know."
"And until then?"
"Live. Forget and live."
"How can I forget? How can anyone? How can anyone forget?"
Here Rosa glanced upwards and around her; and the idea passed through her mind that these silent men, all somehow ministering, it was to be supposed, to her soul, might be those same men for whom earlier that evening she had sometimes found names and sometimes found recollections only.
Whatever the truth of that, Rosa's last question found no answer. The new bearers were assuming their task. (Who, Rosa wondered, in that case — if that case were conceivable — could they be?) With hands and arms, they had already drawn Rosa away; and now they were raising the litter on to their shoulders. The entire faintly lighted throng were moving on towards the hilltop, where the church had replaced the temple, where the temple had been surrogate for the goddess personally in the grove.
"Farewell." Rosa never knew whether she had actually spoken that word.
Remarkably soon, the rough lane was silent, with all life stilled, and starlessly dark. But Rosa saw through the curtained windows that the lamps insi
de her living-room burned as usual; and when, not too hurriedly, she went to look and listen, the clock was ticking, and implying that the time was only ten minutes after midnight.
It was no occasion for giving further thought to the problem of the wet clothes. That could wait for the morning, when Rosa would be packing anyway, with a view to returning to London, at least as a first move. It was impossible to know where she would go thereafter.
Niemandswasser
Shortly after 3 A.M., when the September air was thinly strewn with drizzle, the young Prince Albrecht von Allendorf, known as Elmo to his associates, because of the fire which to them emanated from him, entered the Tiergarten from the Liechtensteinallee, leaping over the locked gate; then found his way to the shore of the big lake to his left; and there, in the total darkness, made to shoot himself.
For upwards of an hour he had strode and stumbled, not always by the most direct route, for he was unused to making the journey on foot, northwards from Schöneberg, where within the small, low room in which the two of them were in the long habit of meeting, Elvira Schwalbe still lay across the big bed in her chemise. She was neither happy to be rid of Elmo, this time surely for ever, nor unhappy to have lost him; certainly not dead, which, considering the apparent intensity of Elmo's feelings, was perhaps surprising, but not fully alive either. The principal upshot of it all was a near-paralysis of will and feeling. Thus she was very, very cold, but for many hours made no movement of any kind. Not until the middle of that afternoon did she gather herself together. Then she spent a considerable time making her hair even more beautiful, put on her taffeta dress with the wide grey and white stripes (very wide), locked up the magic apartment for ever and a day, and proceeded round the corner to the Konditorei, where she ate more cakes than she would normally have done, and drank more coffee, and even concluded with a concoction of hot eggs, having found herself still hungry. Happy, happy Elvira, renewed, strengthened, and made lovelier than ever by just a little suffering; happy to leave us with the wide world once more spread freely before her from which to pick and choose! So endet alles. Later, at a suitable moment, she threw the key of the room into the Spree.
Elmo, the young prince, was perhaps young only by comparison; in that he had four elder brothers, all of whom had always seemed old beyond their years. All were in the army, and all were doing well in their careers, by no means only because of their excellent connections. When not on the parade ground or manoeuvres, they were at lectures and courses, or even reading military books. All were married to ladies of precise social equilibrium, and all had children, in no case only one, and in every case with boys predominating. Despite the demands of service, there was usually at least one son at Allendorf to support their elderly father in what for most of the year were the daily pleasures of chase and gun. Thus too they in turn learnt to rule; especially, of course, the eldest.
The Hereditary Prince of Allendorf had managed to escape mediatization and still exercised a surprising degree of authority over his moderately-sized patriarchy; neither so small as to be something of a joke, nor so large as to negate the personal touch. The survival of so much individual authority in a changed world was not unconnected with the fact that almost all his subjects loved him; and that in turn was because he was an excellent ruler, carefully reared to it from birth, and completely unselfconscious in his procedures. The few who were dissatisfied made tracks for Berlin in any case. It would be absurd to set about the making of trouble in Allendorf.
The Hereditary Prince had long been a widower (Elmo could hardly remember his mother), but he was well looked after by the Countess Sophie-Anna, long a widow herself, a distant cousin (and her late husband had been another cousin), and still quite attractive, including in some cases to those younger than herself. She resided in a large, rococo house, just across the Schlossplatz. When she had first arrived, the elder boys had been doubtful, but Elmo, aged ten, and very tired of masterful matrons (and not yet called Elmo), had fallen for her completely, and could hardly be kept out of her abode, where, among other things, and when opportunity offered, he stole away and, in awe and wonder, went repeatedly through the soft dresses and perfumed underclothes in her bedroom presses and closets. Things were much less formal and ordered than in the Schloss, and no one here ever thought to say him nay in anything. None the less, Schloss Allendorf itself was a beautiful and romantic structure, fantastic as a dream; and the Hereditary Prince took care that the aged, the apparently sempiternal Emperor was as often as practicable his guest.
As well as the Allendorfpalast in Berlin, quite near to where Elmo now sat in darkness, the family properties included, confusingly, a second, and much older, Schloss Allendorf, this time on the shores of Lake Constance, the Bodensee. No senior member of the family had seemingly found the time to go there since the present Hereditary Prince, when a quite small child, had spent a week there with his father. This apparently universal family indifference to the place was normal enough behaviour, but, in the present instance, it happens that there was a specific reason for it: some particular thing (of which details were never disclosed) had happened when the quite small child had visited the Schloss, which had had the effect of his never either being taken there again, or himself wanting to go there when he had become his own master. His attitude influenced those around him, his family and others, without, probably, a word being ever clearly spoken. Probably few of those affected were accustomed to showing much enterprise in such matters as visiting remote family properties in any case. There were elderly dependables to look after the place, year in and year out, and that sufficed.
Elmo alone formed a habit of going there, incognito, or as near to that as could be managed. He had been drawn in the first place by the knowledge that it was from this semi-ruinous lakeside congeries that his family, which was a family to be proud of, had come to importance at the beginning. The family were too closely knit for his elder brothers ever to be actually unkind to him, but, undeniably, there were differences, and Elmo found it particularly felicitous that at almost any time he could withdraw from father and brothers and the wives and children of brothers, to a spot where there was no element of betrayal or disloyalty, and which was of such wondrous beauty also.
If, when the moon is shining and near the full, you scull over, alone, or with some single quietly beloved and beautiful person, from Konstanz, past the Staad peninsula with its lighthouse, to Meersburg, you will experience a peace and acceptance of all things that the wider oceans of the world cannot offer. For some of the time, the scale seems to be maritime, with land, at such an hour, almost out of sight, even beneath the moon; but all the while you are conscious that the smooth and silky water is not saline but the current of the great Rhine, newly released from the Alps. And, of course, there is the clear air; the Bodensee being set at 400 metres above the restless sea. Every ripple is poetry and every zephyr a tender release.
Naturally, Elmo, as well as his brothers, was in the army; but in his case more ornamentally, as was still possible, though becoming less so. In the course of his service, he had met Viktor, whose position in the world was perfectly accommodable to his own (Viktor's father commanded the guard in one of the kingdoms); and in Viktor for the first time he had found a friend who actually enhanced (instead of slightly spoiling and diminishing) the experience of boating on the lake, more often than not at night. Viktor, who was olive-skinned and black-haired, sometimes dressed as a girl for this purpose, and it was as if Elmo had mysteriously, albeit but momentarily, acquired the sister he had so much lacked.
One night or early morning when the circumstances were such, there was an odd episode. Viktor was trailing his hand in the water while Elmo worked intermittently at the sculls. It was hard to tell where exactly they were on the lake. This is always one of the most delightful things on the Bodensee, in that the agreeable uncertainty contains little element of actual risk: soon one always sees land somewhere, sometimes all too soon. But that night or early morning, a risk did em
erge, unexpectedly, devastatingly, and literally; because the hand that the relaxed Viktor was gently trailing through the water was, with all quiet around, suddenly bitten half away. He lost his fourth and fifth fingers altogether, and, even when the doctors had finished, was left without a portion of his hand — and, worse still, of his right hand, with which he wrote his verses and fingered the strings of his guitar. Furthermore, the experience had a marked emotional effect also: one proof of which was that Elmo and Viktor quarrelled.
Even so, Viktor, who had resigned his commission (he was offered a job of consequence in an army office, but declined it — as henceforth he was to decline most things); Viktor, then, seemed to commit himself to sitting in solitude and without occupation, each day and every day, on the Bodensee shore. He was not always in the same spot, was indeed seldom to be found in the same spot on two consecutive days; but always he was in the locality, for the most part as near to the fringe of the lake itself as possible, though often half hidden away in a coppice or in the lee of a fisherman's hut. Everyone knew that he had taken up a lodging with an elderly couple who lived in a respectable homestead three miles away from Schloss Allendorf, and that he took all his meals alone, as he did not wish people to see him eat, owing to his maimed right hand, the hand in which one holds the knife.